"...The costumes, ..., were not only period-appropriate, but spectacular too. The cast was decked out in ball gowns, soldiers' uniforms, and gypsy ensembles, with a very interesting costume for the female jester who wore a motley gown..."
- OOBR.com
"...The director, ... wisely dumped the prologue, and has set the play in what seems somewhere between the 1930s and early 1950s, judging by the costumes (terrific designs by Emily Rose Parman). ..."
-Dumbo Books of Brooklyn
"... for not letting a single element of the show blend into the background. It takes so much effort to take into account every aspect of production and flesh them out. The pacing? Great. Costumes? A character themselves. ..."
-CultureMob.com
"...especially Edwardian Shakespeare. How perfect when sisters Adriana and Luciana come strolling down that path in lace-trimmed, ankle-skimming day dresses, wearing gloves and carrying parasols... . Costume designer Emily Rose Parman built these beautiful dresses and outfitted the entire company in studied topical wear, from Egeon’s pith helmet, khaki shorts, and knee socks to the two Dromios’ butler suits. ..."
-Shakespeareances.com
Press, Blogs, and Reviews...
"...Emily Rose Parman’s costumes take wonderful advantage of the bright psychedelics of 1970s clothing styles. ..."
-BroadwayWorld.com
"...and Emily Rose Parman’s costumes were quite beautiful, with the Entführung characters’ over-the-top attire, wigs and turbans being especially eye-catching. ... "
-ClassicalSource.com